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Posts tagged “art

Creative fire unleashed at Talisman Gallery blacksmithing workshop

An example of what participants will make. Photo: David Hill, Deep Hill Media

By Ellen Hill for Talisman Gallery

Unleash your inner creative fire, work off some energy and learn an ancient art under guidance from an experienced artisan at Talisman Gallery this festive season.

Burgeoning metal artists will create their own piece of art in the 30-minute blacksmithing session on the anvil by beating red hot steel into the shape of a fire poker, decorative wall hook or small sculpture.

Extra decorative elements such as crystals may also be added.

Metal artist Ron Fitzpatrick at work. Photo submitted by Talisman Gallery

Talisman Gallery metal artist Ron Fitzpatrick of Blackheath said the activity would interest beginners as well as those who had previously taken the Fire Poker Challenge at the gallery, located in the historic woolshed behind Hartley Historic Site.

“Creating metal art is very satisfying. It’s quite physical and people love the fact they can make something with their own hands, which we don’t do a lot of anymore in this modern society.’’

While the location amid undulating pasturelands with the dramatic backdrop of the Blue Mountains escarpment helped, Fitzpatrick believed the attraction to lay in the metal itself representing the romantic notion of a lost era; a simpler lifestyle; clearly defined values; and endurance and quality.

“It’s an ancient material that comes straight from the earth. That you can make something so beautiful out of something with such strength fascinates me and draws me to it. I think it’s the same for a lot of other people.’’

An example of what participants will make. Photo: David Hill, Deep Hill Media

Fitzpatrick’s artistic journey began in the early 1980s, creating handmade knives and Tai Chi dancing swords in a small shop in Melbourne.

Since moving to Sydney in the late 1980s, his art and business has evolved from a need to provide for his family by making his own furniture from scrap metal to trendy inner west wrought iron work to finally settling in the Blue Mountains and Hartley.

He and Lithgow-based metal artist Steve Cunningham will be on hand to guide you through the process.’’

“You remove the red hot steel from the fire, bringing it to the anvil you begin to beat the hot metal. You watch as it changes shape, yielding under the blows. Working quickly before it cools, you wrap it around a form into a spiral shape. Before you know it you have created your first piece of metal art.

“So put your phone down and come and make something!’’

A great family activity available to anyone aged 13 years and older, the Creative Fire experience will be held daily from December 27 to 30. Cost: fire poker $35, decorative wall hook $40, sculpture $65, additional elements costs vary.

A participant in action. Photo submitted by Talisman Gallery

Visitors to Talisman Gallery can browse the collection of large high-end pieces along with signature metal art mirrors, small affordable sculptures and candleholders and an extensive collection of imported jewellery and new crystal pieces.

The gallery, Hartley Historic Site, Great Western Hwy (400m before turn off to Jenolan Caves heading west) is open from 10am to 5pm Tuesday to Sunday. Details and bookings: Ron 0407 723 722 or Facebook page Talisman Gallery Hartley/events, website: www.talismangallery.com.au.

 

 


Blue Mountains, NSW: White art exhibition colours historic Everglades

Everglades manager Guy McIlrath holding artwork by Helen Sturgess, The Memory of Something Golden

By Ellen Hill for Everglades Historic House & Gardens       Photos: David Hill, Deep Hill Media

Celebrate the simplicity, subtlety and emptiness of “white’’ when the richly designed and furnished Everglades Historic House & Gardens, Leura, holds a luminous twilight soiree to launch the White Exhibition on November 11.

Featuring three Blue Mountains artists (James Gordon, Julie Martin and Helen Sturgess), exhibition curator and art consultant Louise Abbott of iArt has based the exhibition around the White book by Japanese designer and curator Kenya Hara, the art director of Muji since 2001 who designed the opening and closing ceremony programs of the Nagano Winter Olympic Games 1998.

In his book Designing Design, Hara elaborates on the importance of “emptiness’’ in the visual and philosophical traditions of Japan and its application to design.

“In summary, `white’ symbolises simplicity and subtlety,’’ Abbott said.

“Hara attempts to explore the essence of `white’, which he sees as being closely related to the origin of Japanese aesthetics. The central concepts discussed by Hara are emptiness and the absolute void. He also sees his work as a designer as a form of communication. Good communication has the distinction of being able to listen to each other, rather than to press one’s opinion onto the opponent.’’

Hara compares that form of communication with an empty container.

“In visual communication there are equally signals whose signification is limited as well as signals or symbols such as the cross or the red circle on the Japanese flag which, like an empty container, permit every signification and do not limit imagination,’’ Abbott said.

“The Japanese character for white also forms a radical of the character for emptiness. Therefore, we can closely associate the colour white with emptiness.’’

Launched with a White soiree, the exhibition will be held in the magnificent 1930s art deco Everglades House set amid spectacular gardens, formal terraces and overlooking sweeping views of the Jamison Valley.

Dressed in white, guests will be served a selection of canapes and locally-produced drinks sponsored by Dryridge Estate, while floral arrangements will be provided by Floral Ink and musical duo Rachel Hannan and John Stuart will set the tone with smooth grooves.

All the artworks will be white-themed.

The White exhibition will be a great opportunity to explore the exquisite Everglades gardens

Everglades manager Guy McIlrath said: “With its progressive ideas and stark philosophies, the White exhibition is as avant garde as the property itself.

“The soiree event will be a reminder of Everglades in its heyday when you can imagine beautiful people floating around the gardens in beautiful clothes on summer evenings.

“In November the evenings are balmy, cool breezes and summer scents float through the trees and the formal ponds help cool the air, so it will be a very dreamy atmosphere.’’

The White exhibition official opening soiree event will be held at Everglades Historic House & Gardens, 37 Everglades Ave, Leura, from 5pm to 8pm on Saturday, November 11. Tickets: $55pp, $50pp National Trust members. Bookings essential: 0467 332 591 or 0410 312 827 or email friendsofeverglades@gmail.com (please dress in white).

The exhibition will be displayed in the main house for a month thereafter. Everglades is open from 10am to 5pm daily during daylight savings and from 10am to 4pm during autumn and winter. Entry: $13 adults, $8 concessions, $4 children, National Trust members free.

Contact: (02) 4784 1938 or email everglades@nationaltrust.com.au.

*Everglades Historic House & Gardens is a commercial client of Deep Hill Media

The White exhibition will be a great opportunity to explore the exquisite Everglades gardens


First Blue Mountains art show on again

By Ellen Hill for Springwood Art Show       Photos: David Hill

The first and longest running art show in the Blue Mountains will once again showcase outstanding talent from established and emerging artists from the area and raise funds for school student resources from August 25 to 27.

Held at Springwood High School and co-ordinated by the Parents & Citizens Association (P&C), Springwood Art Show directly supports students of the school with 25 per cent of all sales plus all proceeds from admission, café, raffle and artworks used to buy educational resources.

The event which helped establish the Blue Mountains as a recognised “city of the arts’’ will be a chance to admire more than 400 artworks from more than 100 local artists, photographers and galleries.

Visitors can snap up an original work to decorate their home or office for reasonable prices, including from featured artist Sue Gasser who has built a career painting the natural beauty of her surrounds.

One lucky art show visitor will take home a Sue Gasser painting worth $850 as a raffle prize. Tickets for your chance to win Gasser’s King Parrots With a View painting will be $2 each or three for $5.

Also on sale will be a range of artisan work such as handcrafted jewellery, woodwork and gifts.

A highlight this year will be the encouragement of young and emerging artists through the `Make your mark’’ theme to celebrate Springwood High School’s 50th anniversary and more than $5000 in prizes across a range of medium and age categories

Springwood Art Show will be officially opened at 7pm on Friday, August 25, by Blue Mountains Cultural Centre exhibitions manager Sabrina Roesner.

Photo supplied

“The Springwood Art Show, the first and longest running art show in the Blue Mountains, is a wonderful initiative that provides a platform for our young emerging artists and celebrates the creative and vibrant community that we live in. I very much look forward to seeing the students’ work and opening the show on 25 August,’’ she said.

P&C president Julia Thurling said: “Everything we do as a P&C is for the benefit and wellbeing of students of Springwood High School. The art show not only raises funds for resources which support students of the school, it is a long-recognised event on the wider community calendar and fits nicely with the Blue Mountains community interest in the arts.’’

Springwood Art Show will be held at Springwood High School, Grose Rd, Faulconbridge, from August 25 to 27, with an official opening program on the Friday evening and activities and a café throughout the weekend. Opening hours from 7pm to 10pm Friday, 10am to 6pm Saturday and 10am to 4pm Sunday. Tickets: opening night $20 includes supper and wine; general admission $5 adults, $3 concessions, $10 families Saturday and Sunday. Go to springwoodartshow.org.au for more information.


Everglades opens closet of secrets

Born Free will be part of Rod McRae’s Wunderkammer exhibition at Everglades Historic House & Gardens, Leura

By Ellen Hill for Everglades Historic House & Gardens

Everglades Historic House & Gardens will provoke and challenge environmental change by opening its closet to a secret stash of exotic animals in June.

The Wunderkammer exhibition of ethically-sourced taxidermied animals by artist Rod McRae will be displayed at the Leura landmark from June 10 to August 27 (11am to 3pm), with one of the exhibits to be displayed at the Hydro Majestic Hotel at Medlow Bath.

Each exhibit explores an animal issue using real preserved animal bodies to tell their stories

Wunderkammer, which means “closet of secrets’’, has been on the regional art gallery circuit since 2013 and consists of 15 portals into what was, what is and what could be.

Each work explores an animal “issue’’ using real preserved animal bodies (taxidermy) to tell their stories including trophy hunting, displacement, poisoning.

A polar bear teeters on a refrigerator, a zebra is in a shipping crate on which is written a “shopping list’’ of animals available for hunt, there are penguin skeletons alongside shards of plastic and a list of harmful chemicals, a faceless baboon holding a mirror towards its head and the king of the jungle playing on a bed – with a chain around its neck.

However, no animal was harmed to make the artwork. The skins were the result of death by natural causes, medical euthanasia, hunting, culling and food production and had been traded on, sometimes multiple times before they became part of Wunderkammer. The skin of the baboon is a by-product of trophy taking.

McRae aimed to provoke thought, discussion and, ultimately, change through the sometimes hideous displays.

“I would like to believe that art can make a difference,’’ he said.

“Using the real thing creates art that is both authentic and empathetic. I argue that sculptures of animals rendered in resin, plastic, stone, wood or metal cannot speak as directly to us as the real animal.

“Each work touches on a different aspect of the human-animal relationship including biodiversity, pollution, climate change, conservation and stewardship. Each work asks us to examine our responsibilities as fellow travellers on this planet.’’

Wunderkammer will be hosted by Everglades Historic House & Gardens, Leura

A floor talk will be given at the official opening on June 10 by a curator from the Western Plains Cultural Centre. Then, on June 24, Everglades will be hosting a faux fur luncheon with Rod McRae giving another floor talk.

Everglades manager Scott Pollock said: “This exhibition is an opportunity to meet these exotic creatures up close in ways we could never do while they are alive.

“While this exhibition is provocative and even confronting, our environment surrounding us here in the Greater Blue Mountains World Heritage Area with its vast wilderness of rare, unknown and thought-to-be-extinct plant and animal species demands that we give it consideration.’’

The art deco-style of the 1930s property and squash court building which is now used as the gallery is an apt venue to showcase the unusual.

“Visitors already expect the unexpected at Everglades. We have a manmade waterfall and bathing pond, exotic landscaped gardens amongst the native bushland, unusual columns, niches and drystone walls and live Shakespeare productions, so coming across a zebra in the a squash court or Polar bear wrapped around a refrigerator won’t be too extraordinary.”

“The exhibition is very Blue Mountains of the 1930s and the local community is very comfortable with the concepts of it today actually.’’

Everglades Historic House & Gardens, 37 Everglades Ave, Leura, is open from 10am to 5pm daily during daylight savings and from 10am to 4pm during autumn and winter. Entry: $13 adults, $8 concessions, $4 children, National Trust members free.

Contact: : (02) 4784 1938 or email evergladesgarden@bigpond.com.

The works included in Wunderkammer are managed by the Western Plains Cultural Centre, a facility of Dubbo Regional Council.

Rod McRae began his visual journey as a children’s book author illustrator in the 1980s producing more than 50 books.

In the `90s he experimented with photography and was twice a finalist in the Blake Prize for Religious Art.

Since 2008, McRae has explored sculpture and installation art concentrating on conservation and human-animal themes and has been a finalist in several art prizes including the Wynne Prize for Australian landscape/figurative sculpture, Fishers Ghost Art Prize and Sculpture by the Sea.

Wunderkammer is McRae’s first travelling show. It has been on the regional art gallery circuit since 2013.

* Everglades Historic House & Gardens is a commercial client of Deep Hill Media

The beautiful Everglades Historic House & Gardens at Leura. Photo: David Hill, Deep Hill Media


Blue Mountains artist Warwick Fuller: In search of light

Warwick4

By Ellen Hill for Lost Bear Gallery                   Photos: David Hill

A summer breeze softly brushes against Warwick Fuller’s neck and pulls at straggly bits of hair sticking out from beneath his trademark hat.

The incessant buzz of countless cicadas pulses the air.

Warwick8His faithful red kelpie, Digger, gives him a lovesick sideward glance, whining in contentment, too lethargic to bark at the maggies squabbling in the trees.

Fuller shifts his position and the sticks crunch softly under his boots. He absent-mindedly wipes his paint-spattered fingers on his trousers, leaving multi-coloured smudges on the fabric.

His paintbrush moves frenetically across the canvass, desperately punching and prodding, sweeping and sliding the colour into shapes.

Digger sniffs the breeze and catches a waft of eucalyptus oil released into the atmosphere by the scorching sun. He heaves himself to his feet with a sigh, his snout high and picking up a hint of wattle, kangaroo dung and a neighbour’s barbecue.

What is it, Digs?’’ Fuller coos quietly.It’s just a rabbit. You’ll be right.’’

The old dog grunts suspiciously and flops back down to the ground, his weary head resting on his paws.

Fuller takes a step back.

Warwick6He absorbs the scene with all senses awake: the great boulders plonked 50 feet from his back door, the course Aussie scrub, the rickety wooden gate he knocked up years ago, the rugged crags in the distance and the clouds skating across the sky.

Encompassing it all is the light.

Fuller glances at the canvass, satisfied. He has frozen this moment in perfect detail.

When I paint I like to have all my senses activated,’’ he said.I interpret the landscape differently if there’s birds singing or aeroplanes soaring overhead. If I smell the summer grass it just puts me in a different mental state and that’s going to affect the way I paint. I stay in total concentration so I can absorb all those things while I’m painting.

Warwick5“If I can quote myself: `How can I paint a frost if I don’t have cold feet?’ ‘’

One of Australia’s most respected plein air painters and a Fellow of the Royal Arts Society, Warwick Fuller has painted the Australian landscape for more than 35 years, during which time he has built a solid reputation through more than 60 solo exhibitions and numerous awards and accolades.

After living at Emu Plains for 30 years (he remains patron of Nepean Art Society), Fuller and his late wife Wendy moved to the Kanimbla Valley near Lithgow 18 years ago, just a short distance from where his ancestors Edward and Harriet Fuller settled in 1839.

“This country has a rugged beauty and the weather is fairly volatile here, which makes for interesting landscape, being on the edge of the Dividing Range.’’

Fuller travels around the country often on painting trips and when at home is inspired by the jaw-dropping landscape. He has an easel permanently set up on the back verandah. Pick up any catalogue of any Warwick Fuller exhibition in the past 18 years and there will be that scene.

But it’s not a changing landscape he’s after.

Warwick 1“The real essence of what I’m trying to create in my paintings is trying to interpret what I see and paint my emotional responses to that. It’s more than just getting the right colours and tone. It’s the light that inspires me.’’

Used to working at a furious speed to capture a scene, Fuller was not fazed by the unrelenting pace of the Australian tour of His Royal Highness the Prince of Wales and Her Royal Highness the Duchess of Cornwall in November.

Fuller was the official tour artist for the Royal couple, as he was during their 2012 tour.

A dozen works he painted during the tour will be exhibited at Lost Bear Gallery from February 1 to 15. The non-commercial exhibition will be an opportunity for art lovers to view Fuller’s paintings before they leave Australia.

Warwick11The works depict scenes captured by Fuller when the Royal couple visited Tanunda near Adelaide, the national War Memorial in Canberra for the Remembrance Day ceremony and Sydney, where Fuller painted the world-famous Sydney Harbour featuring the Harbour Bridge and Sydney Opera House as seen from Admiralty House.

An accomplished watercolourist himself, The Prince often chooses an artist to join him on tours as a way of supporting the arts and in appreciation of the unique perspective that an artist can provide.

Fuller said he was free to paint the subjects and in the style he wanted.

“There was no expectation. His Royal Highness asked me to go on tour with him because he liked my work and knew what I painted, and that’s the last thing he asked.’’

Warwick9While he only had two opportunities to talk with the Prince, the second occasion at Admiralty House in Sydney was a lengthy 15 minutes, during which Prince Charles talked about artist Edward Seago, who he met as a child and who toured with his father the Duke of Edinburgh to Antarctica on the Britannia.

The pair were then joined by the Duchess and chatted for a further 10 minutes about Fuller’s artworks he had produced during the tour.

While the Prince will formally exercise his right to first option to the paintings, the Royal couple has already expressed interest in several.

“He was very enthusiastic about the work,’’ Fuller said.

Lost Bear Gallery director Geoff White adjusts the light on a Warwick Fuller work

Lost Bear Gallery director Geoff White adjusts the light on a Warwick Fuller work

Paintings acquired by the Prince will become part of the Royal Collection when he ascends the throne. Fuller will also gift Prince Charles a work.

Artworks produced during the Royal tour will form the special exhibition at Lost Bear Gallery, along with several larger works developed from smaller studies painted on tour.

Warwick Fuller’s Royal tour collection will be displayed at Lost Bear Gallery, 98 Lurline St, Katoomba, from 10am to 5pm daily from February 1 to 15. Details: (02) 4782 1220 or lostbeargallery.com.au.

  • Warwick Fuller and Lost Bear Gallery are commercial clients of Deep Hill Media and Headline PublicityWarwick11

Blue Mountains: Warwick Fuller artists’ retreat on the edge

Artist Warwick Fuller at work

Artist Warwick Fuller at work

By Ellen Hill for Escarpment Group

Artists can take their talent right to the edge with one of Australia’s top painters at a workshop retreat at Parkland’s Country Gardens & Lodges in September.

Renowned landscape painter Warwick Fuller will lead an intimate three-day outdoor oil painting workshop for a select group of 10 energetic artists with experience in oils at the luxurious Escarpment Group property at Blackheath from September 15 to 17.

Escarpment Group general manager Ralf Bruegger said: “The Blue Mountains has been recognised as a `city of the arts’ and Escarpment Group properties have featured in artworks for decades, especially Darley’s Restaurant at our Lilianfels Resort & Spa property and the very famous Hydro Majestic Hotel.

“So we are delighted to continue that tradition and offer the Parklands property as a luxurious artists retreat.’’

Fuller, who lives at Little Hartley, has had more than 60 solo exhibitions throughout Australia and internationally, has received numerous awards and is represented in prominent galleries in Sydney, the Blue Mountains and London.

The plein air painter and Fellow of the Royal Art Society of NSW has paintings hung in private, corporate and institutional collections throughout the world.

Fuller’s style of landscape painting was emotive yet sincere, he said.

Cloud to the West, Blackheath, by Warwick Fuller

Cloud to the West, Blackheath, by Warwick Fuller

“You can read ad infinitum of the landscape painter trying to paint his feelings’,capture the light’, `render the mood of a scene’. There is nothing particularly new or unique in this ideology, developed in part through a natural progression of a very strong landscape tradition in Australia. It is sad to see these expressions misused, abused and over used to the point of becoming almost meaningless with insincerity.

“Those statements are though, I believe, some of the more important aims and ideals at the core of the genuine landscape painter’s psyche. I, like others, do search for a means of expressing these qualities. I know for me these are genuine and worthy goals. In this, there is a dilemma I feel will test me.

“It has been a long-held opinion of mine that too often the work of the traditional landscape painter has been seen in an over-familiar sort of way. That is, known objects in the picture being seen superficially and assessed according to a preconceived understanding of those objects. How do I express my vision of the subject unambiguously? It’s not a technical thing as for example, in composition. It’s far more elusive than that.

“I am doubting more often whether the direction I am taking can adequately reveal, for example, the thrill of gazing at the last rays of sunlight in the tree tops. I can paint something of what it looks like but I am trying to paint how I feel! I want my pictures to sing the songs I sang when I painted them. My hope is that if I can paint with the joy of that moment, something of my emotional responses to the moment will shine through.’’

Mr Bruegger said: “We look forward to seeing how the magnificent Greater Blue Mountains World Heritage Area location inspires each artist under the tuition of one of the greatest Australian landscape painters of our time.’’

Warwick Fuller will host an artists’ workshop at Parklands Country Gardens & Lodges, 132 Govetts Leap Rd, Blackheath, from September 15 to 17.

Workshop cost: $400 for three days. Special accommodation packages available: $259 per room per night for twin share with hot breakfast for two adults; $200 per room per night single share with breakfast plus $25 for working lunch including fruit and juice.

Phone (02) 4787 7211 or go to www.parklands.com.au to book accommodation and dining options.

 


Artist call-out: Join original Blue Mountains art show

Janet Andersen, Contemporary Still Life

Janet Andersen, Contemporary Still Life

 

By Ellen Hill for Springwood Art Show

Painters, sculptors, photographers, woodworkers and craftspeople have been invited to showcase their work at the first and longest running art show in the Blue Mountains from August 28 to 30.

Springwood Art Show will once again showcase the best established and emerging talent in the area.

Held at Springwood High School and co-ordinated by the Parents & Citizens Association (P&C), the event directly supports students of the school with 25 per cent of all sales including admission, café, raffle and artworks used to buy educational resources.

P&C president Rod Murray said: “The Blue Mountains has long been recognised as a melting pot for artists and Springwood Art Show helped the region become a recognised `city of the arts’.

“The show is a staple on the arts calendar, known as an event where artists can expect to be noticed by some serious collectors.

“I encourage all local artists wanting to come to the attention of the arts world to join our feature artist landscape painter Guenter Barth and submit a work.’’

Principal Dr Mark Howie said: “There has traditionally been a fantastic selection of artworks from students at the art show, which showcases the rich talent at the school and boosts the confidence of emerging young artists who are thrilled to have their work hung alongside established artists.

“I look forward to seeing what creativity has been evident in our classrooms this year.’’

Artists may also enter an impressive array of art prizes including the $1000 Rose Lindsay Art Prize, $500 highly commended prize and landscape, photography, portrait and viewers’ choice awards.

There is also the Youth Art Encouragement Award and Springwood High School student recognition prizes, while the Environmental and Ecology Award will encourage reuse in art.

Springwood Art Show will be held at Springwood High School, Grose Rd, Faulconbridge, from August 28 to 30, with an official opening program on the Friday evening and activities throughout the weekend.

Phone Rod Murray on (02) 4751 8245 or go to www.springwoodartshow.org.au for more information and to download a contribution form.


Tor of Hartley: a magnet for artists

Metal artist Ron Fitzpatrick is inspired by the Tor of Hartley.

Metal artist Ron Fitzpatrick is inspired by the Tor of Hartley.

 

By Ellen Hill                                              Photos: David Hill

Hulking moodily over a remnant of the nation’s colonial past, a pile of rocks flung against the side of a hill just west of the Blue Mountains has been a magnet for artists for two centuries, creatively and literally.

Known as Kew-Y-Ahn, Bells Rock or just The Tor, the granite rocks are embedded in the hill rising above Hartley Historic Site, between Lithgow and the Blue Mountains.

Kew-Y-Ahn has inspired artists for more than 150 years.

Kew-Y-Ahn has inspired artists for more than 150 years.

In 1865, one of the colony’s most important landscape painters, Eugene von Guérard (1811-1901) featured them in his painting Sunset in New South Wales.

Today, across the hill a bit and down, metal artist Ron Fitzpatrick unleashes his creativity in Talisman Gallery under The Tor’s gaze, its protection, its morose acceptance.

Clang. Pause. Clang. Pause. Tap. Tap. Tap tap.

Ron beats his metal into submission, coaxing the ore into the shape he has dreamed up.

In the murky light of winter when the fog pervades every open space; under oppressive summer heat; in the milky romance of moonlight, The Tor stares out across the valley indifferently.

From the doorway of his workshop, a converted woolshed, Ron gazes back.

The Tor of Hartley is beautiful at any time.

The Tor of Hartley is beautiful at any time.

“I don’t know what it is about them – maybe it’s because they are granite and literally a bit magnetic, but I definitely draw inspiration from them,’’ Ron says.

“They represent strength and reliability like metal and they have metallic qualities. But really, they’re just really beautiful at any time of the day or year.’’

Whether it’s the configuration of how they were arranged after eons of wear from rushing water from the Cox’s River and its tributary the River Lett, how their sheer size radiates an imposing presence or how the sun’s rays tickle their faces at dawn, the wardens of the hill have long-held a magnetism for artists.

Visible from miles around, Kew-Y-Ahn appears in the von Guérard work, Sunset in New South Wales, after he assimilated on the left of the work the cabbage tree palms of American Creek in Wollongong, which he captured in an 1859 pencil sketch, with the granite rocks of Hartley on the right.

Interestingly, von Guérard did not actually entitle the work, which was assigned a title when it was shown in the 1870 Intercolonial Exhibition in Sydney, where it was on sale for 60 guineas.

The Sydney Morning Herald of the day commented “The sunset scene… is a beautiful painting but rather highly coloured’’.

The son of court painter to Emperor Franz Joseph 1 of Austria, Bernard Von Guérard, Eugene von Guérard immigrated to Australia in 1852.

Colonial landscape artist Eugene von Guerard

Colonial landscape artist Eugene von Guerard

A respected romantic landscape painter, his work celebrates the untamed, wild beauty of the Australian landscape and awe-inspiring presence, qualities most definitely displayed by the granite tor at Hartley.

He was on a quest for landscapes of a particular quality to sketch and develop into large oil paintings.

The Blue Mountains landscape, with its vast vistas, plunging gorges and towering sandstone escarpments and rock formations, was ideal.

Von Guérard discovered the rock outcrop during two visits to the Blue Mountains and Hartley in 1859, capturing the scene in sketches that June and December.

By then he was an established oil painter with works exhibited in Australia and internationally, including at the London International Exhibition, and lithographs of his sketches produced to illustrate Journals and Newspapers.

Those sketches are held by the Mitchell Library.

Although the landscape of the Vale of Hartley had been sketched since its discovery, von Guérard’s work marks the transition from drawings recording the scene like a camera does today, to works of art.

“Like me today, von Guérard lived in a very cosmopolitan era when it was acceptable and even encouraged to experiment with art and culture,’’ Talisman Gallery metal artist Ron Fitzpatrick says.

“That gave people like him freedom to create art in their own style, just like me and my art today.’’

Detail of one of Ron Fitzpatrick's metal works at Talisman Gallery.

Detail of one of Ron Fitzpatrick’s metal works at Talisman Gallery.

Ron’s own artistic journey began in the early 1980s, creating handmade knives and Tai Chi dancing swords in a small shop in Melbourne.

Since moving to Sydney in the late 1980s, Ron’s art and business has evolved from a need to provide for his family by making his own furniture from scrap metal to trendy inner west wrought iron work to finally settling in the Blue Mountains and Hartley.

These days his gallery collection includes large high-end pieces along with his signature metal art mirrors, small affordable sculptures and candleholders and an extensive collection of imported jewellery and new crystal pieces.

One of the showrooms at Talisman Gallery.

One of the showrooms at Talisman Gallery.

Taking inspiration from ancient symbols and ideas he sees in meditation, Ron believes that “being creative is a state of mind and I just don’t think people have learnt to let themselves access that part of themselves’’.

“Designs and ideas are all around us, like these rocks here. You just have to become aware of them.’’

The rocks featured in von Guérard’s work can be explored today along the Kew-Y-Ahn Bell Rock Heritage Trail walking track at Hartley Historic Site.

Visitors to the site can also wander around the historic buildings, have refreshments at the café, watch Ron at work and buy a unique piece at Talisman Gallery and even brave neck-bristling terror on an evening ghost tour.

Talisman Gallery at Hartley Historic Site, Great Western Hwy (400m before turn off to Jenolan Caves heading west) is open from 10am to 5pm Tuesday to Sunday. Details: Ron 0407 723 722 or info@talismangallery.com.au.

* Talisman Gallery is a commercial client of Deep Hill Media

Metal artist Ron Fitzpatrick at work at Talisman Gallery.

Metal artist Ron Fitzpatrick at work at Talisman Gallery.

 


Just as good after 39 years: Original Blue Mountains art show impresses again

 

Bruce McGuiggan, Little Pablo LR has been a past Springwood Art Show feature.

Bruce McGuiggan, Little Pablo LR has been a past Springwood Art Show feature.



By Ellen Hill for Springwood Art Show

Gandhi was Indian Prime Minister, Montreal hosted the Olympics, Concorde took its first commercial flight, punk rock took over the airwaves, the inaugural Springwood Art Show was held – 1977 was an excellent year.

The first and longest running art show in the Blue Mountains, which helped establish the Blue Mountains’ reputation as an arts hub and recognised “city of the arts’’, will once again showcase the best established and emerging talent in the area from August 28 to 30.

Ventrilogy by Gerlinde Thomas

Ventrilogy by Gerlinde Thomas

Held at Springwood High School and co-ordinated by the Parents & Citizens Association (P&C), the event directly supports students of the school with 25 per cent of all sales including admission, café, raffle and artworks used to buy educational resources.

Snag a world-class piece from a mature artist or make a savvy long-term investment with an artwork from fresh talent, selecting from approximately 400 pieces of original art from more than 100 predominantly local artists at what has become a key community arts event.

Peruse a range of quality artisan crafts such as leather handbags, jewellery, woodwork and textiles.

Artists and photographers are welcome to submit works and enter an impressive array of art prizes including the $1000 Rose Lindsay Art Prize, $500 highly commended prize and landscape, photography, portrait and viewers’ choice awards.

There is also the Youth Art Encouragement Award and Springwood High School student recognition prizes, while the Environmental and Ecology Award will encourage reuse in art.

Principal Dr Mark Howie said: “Springwood High School prides itself on providing an inclusive environment for all our students and the art show complements the value of encouraging everyone to have a go.

“It really boosts the confidence of young emerging artists from our student body to have their work sit alongside established artists such as Guenter Barth, Sue Gasser and John Wilson.’’

P&C president Rod Murray said: “The P&C has a proud history of generating much needed funds for the school and its students through events such as the art show.

“After thirty-nine years, Springwood Art Show continues to generate a buzz among the arts community and serious collectors because it has traditionally attracted quality submissions.’’

Barry Smith, A Driving Finish LR

Barry Smith, A Driving Finish LR

This year, the P&C will begin planning for the 40th art show in 2016 and participants are encouraged to keep the year 1977 in mind when preparing pieces.

But also think about the future,’’ Mr Murray said.Our time now is just as dynamic and progressive, with huge developments in technology, medicine, fashion and music.’’

This year’s feature artist German-born Guenter Barth will lead the creative charge.

He began painting at age 16. With wife Edel (and his paints), Barth fled East Germany into Berlin in 1957 and immigrated to Australia in 1960.

However, it wasn’t until he had retired in 1994 that he could follow his dream of oil painting.

Since then, Barth has travelled extensively throughout Australia, inspired by the contrast and beauty of Australian landscapes and seascapes.

His paintings have been sold throughout Australia, Germany, Japan, Singapore, New Zealand, America and Canada.

The Springwood Art Show will be held at Springwood High School, Grose Rd, Faulconbridge, from August 28 to 30, with an official opening program on the Friday evening and activities throughout the weekend.

Phone Rod Murray on (02) 4751 8245 or go to www.springwoodartshow.org.au for more information.

Janet Andersen, Contemporary Still Life LR

Janet Andersen, Contemporary Still Life LR